Hello, I’m Maureen Cross.

I am a paintings conservator with nearly 30 years of professional experience, having worked in museums and galleries as well as several private conservation studios before taking up my current post as a full-time Senior Lecturer in the Department of Conservation at The Courtauld Institute of Art.

I completed my first BA (Hons) at Michigan State University in Sociology and Economics, followed by a second BA (Hons) in History of Art at Hunter College, City University of New York, where I also achieved a minor in Chemistry.

I began my career in the curatorial department at the Brooklyn Museum of Art before changing direction and undertaking a series of conservation fellowships. These include an Andrew W. Mellon Foundation Fellowship at the Metropolitan Museum of Art, where I worked on the Antonio Ratti Textile Center Storage Project, an internship at the Cooper Hewitt, Smithsonian Design Museum as a Textile Conservation assistant, and work in private conservation studios in New York City.

I moved to the UK to specialise in easel paintings conservation, completing my MA with Distinction at the University of Northumbria in 1998. I have since worked as a professional paintings conservator at National Museums Liverpool, Manchester Art Gallery, and Tate, before joining The Courtauld. I was appointed as a full-time Lecturer in 2005. From 2013 to 2016 I served as the Institute's first Associate Dean for Students, was promoted to Senior Lecturer in 2019, and appointed Senior Tutor for Conservation in 2024.

My approach

I treat modern and contemporary paintings on canvas and board, drawing on a long career spanning institutional and private collections and two decades teaching paintings conservation at postgraduate level. My practice combines analysis, close looking, and hands-on conservation work, applying material science and practical experience to solve complex condition issues and ensure long-term stability for display.

My research into artists' techniques and material properties grounds this work in careful technical problem-solving — balancing preservation with respect for an artwork's original character and intent.

I bring rigorous material knowledge, an evolving conservation-restoration methodology, and a strong ethical framework, working closely with artists, collections and colleagues to ensure paintings are understood, respected, and preserved for future generations.

Lasting impact:

I approach my work with clarity, act with integrity, and stay endlessly curious.

Services

  • Conservation Treatment 

  • Collections Care

  • Condition Reports

  • Consultancy

  • Courier Services

  • Exhibitions and Display

  • Research

  • Technical Art History 

  • Technical Support for Artists